Last night, Wesley Joseph shared his brand new single Thrilla, alongside its incredible video directed by Wesley himself. Watch the video below, and stream Thrilla here.
Wesley Joseph spent 2020 releasing a series of exceptional debut singles accompanied by self-directed visual pieces that revealed a tempting glimpse into his unique world. The songs - including the Joy Orbison co-produced Ghostin’ - laid a critically acclaimed path for what is set to be a breakthrough 2021.
Now sharing Thrilla, an anthemic, game-changing cut produced by Wesley and mixed by Jai Paul collaborator Lexxx, the track was given its first play by Annie Mac on BBC Radio 1 last night. The extraordinary, self-directed music video, existing in Wesley’s space of magic realism, features one of two working DeLoreans in the UK.
Wesley says of the single and video:
"I started writing Thrilla off the rum and orange juice in a neon blue London studio about a year ago. It became clear what the scope of the song could be as soon as I added the first 808, and the vibe was instant. A few of my boys came by that night and I freestyled a loose version of the hook - it was enough to keep us going crazy until the morning. The name Thrilla literally comes from that gassed drunk freestyle and it just stuck - the song is true to that bigger than life feeling you get in those moments.
Six months passed and I had started to slowly take the song apart to restructure it with absolute attention to detail. I wanted to make something that felt big, but also had depth and a sense of journey to it. That needed to be seamless: like you forgot how you got there, but at the same time it feels like it shouldn’t have been any other way. I finished the song at Lexxx’s studio near the sea. I would be working round the clock, experimenting with different transition ideas, or throwing in new licks, samples, and grooves to glue the whole thing together without losing anything, and he helped hugely at that stage of the puzzle.
When I was writing the song, images were already coming to mind visually, and I knew how the video was meant to feel texturally and metaphorically, too. Directing this one really developed the relationship I have with myself as a musician and filmmaker. A lot of people said it wasn’t going to be possible and the idea wasn’t realistic, so I’m hugely thankful for everyone who cared and worked their asses off to make it real."